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Somewhere
in the South of France
In sooth I
know not why I am so sad: it wearies me....
Reflecting
on these words of the Bard and my 40 years of karate experience (I
should say 30 if only to sound younger) it does indeed weary me to
see the state of karate tournaments today with their layers of rules
and officious judges who lord it up and down the shiai areas with
such a lack of presence they must make up for it by being rude to
anyone who questions the reasons why a kick is always worth more
than a punch and one to the face more than one to the body. I
squirmed in my seat as I forced myself to sit through 2 such
tournaments recently both in the States and here in Europe in the
name of research.
I am
referring, of course, to the WUKO (ohh, alright, the WKF) way of
doing things and their Westernization of karate as they choose to
present it to the masses and, perhaps more importantly for them, the
Olympic committee. It's the classic lowest common denominator
theory. Why should I say that? Because, their logic says that each
one of us must have exactly the same chance to understand and
appraise all that confronts us whether or not that person is an
expert or otherwise. I don't claim to be an expert in anything
especially but I know a darn sight more about a karate match than
the average mother or father who is now allowed to win any argument
against me because what they saw from their boy was a kick to the
head and therefore worth thrice-fold the jodan-zuki of the other
lad. Never mind that the kick was delivered off balance with the big
toe barely grazing (at an iffy angle at that) the top of the
opponent's forehead and that the punch was straight smack on the
chin with all the other hip and speed elements spot on: one gets
three points and the other just one. I am now defeated by their
rulebook and left speechless by its omnipotence. When talking to a
powerful advocate of this system, who shall remain nameless, I am
told that these rules allow even a poorly skilled referee to be able
to judge a match competently. Not very inspiring, is it?
The reason
this wearies me so is that in the old days there was infinitely more
dignity to each shobu. Now in the WKF you have one of 3 scenarios: (i)
The opponents are both talented and evenly matched and so the match
goes on ad nauseum with both fighters winning point after point and
gaining a similar number of injuries; (ii) one opponent is superior
to the other and humiliates him by winning by 8 points; (iii) the
opponents are both untalented and evenly matched and the matches
become a horrible scrap-fest.
Let's turn
the clock back to the JKA golden age with the same 3 cases: (i) You
witness an exciting match with both competitors vying for the edge
as the tension mounts (watch any Kurosawa duel) and in a
breathtaking moment one of them gets the decisive blow and the match
ends bursting the nail-biting edge-of-the-seat suspense; (ii) the
stronger of the two moves and feints, you sense something
devastating is about to happen, but the underdog, heart-pounding,
always has a chance of an upset if the former isn't careful, and
then... whack! The latter is put out of his misery and dumped on his
backside as all the judges’ blast their whistles and the flags
shoot skyward; (iii) nothings happens. You go and get a coffee.
The best of
the WKF matches could certainly be called displays of athletism (the
standard way to address each competitor is now "athlete")
but what I would like to see is karate re-elevated back to the art
form that I always thought it was.
I'll concede
that we are living in the information age but does that mean we
really need to be subjected in such a bland and condescending
fashion to karate by numbers that we may understand it? It's like
comparing the work of the guy who plastered pieces of shit over an
image of the Madonna that Rudy (thank goodness) had removed from the
Brooklyn Art Museum to that of Pollock. One has depth, intelligence
and mystery that draws you in to discover things about yourself and
our place in the universe. The other requires the brain of a peanut
to understand that it's a stupid effort to represent the times.
Let us have
enough respect for the art we love to give it back some mystery and
grandeur so that creaky old spectators like me can once again debate
whether or not Yahara did really beat Mori in '78 on pure spirit
alone!
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